When a dead couple needs help scaring the yuppies who move
into their house, they turn to Michael Keaton's ghost with the most
in 1988's Beetlejuice.
This week, we discuss Tim Burton's bureaucratic vision of the
afterlife, the oddly spelled star that's Beetlejuice's namesake,
and the deus ex machina that ultimately saves the day. Plus Alan
sings Harry Belafonte, and James talks about his Star Wars
experience at South by Southwest as we see if Beetlejuice stands
the Test of Time.